伊朗的儿童电影表现儿童天真纯洁的世界,表现他们的童趣、童真、童心,不沾染一星半点世俗的杂质。然而,伊朗儿童电影不是拍给儿童看的,它们是对成人世界的隐喻,是成人世界的一面镜子,通过儿童天真纯洁的心灵折射出人类的良心,导演们借以重走一趟童年之旅。同时,它们通过儿童的苦难表现人生的苦难、社会的黑暗和人性的扭曲。
Behind the Paradise:
Huang Jin(Hubei College of Economics)
Huang Xianwen(Wuhan University)
Abstract Iranian children's films express the innocent and pure world of children, their childishness, innocence and childlikeness, without a trace of worldly impurities. However, Iranian children's films are not made for children, but are a metaphor and a mirror of the adult world, reflecting the conscience of human beings through the innocent and pure hearts of children. The directors thus take a trip back to childhood through their films and at the same time show the suffering of life, the darkness of society and the distortion of human nature through the suffering of children.
Key words adult perspective; early memory; childhood suffering; Iran;Iranian children's films
■ 作者简介 黄 津,文学博士,湖北经济学院外国语学院讲师;湖北 武汉 430205;黄献文,文学博士,武汉大学艺术学院教授、博士生导师;湖北 武汉 430072。